It is widely held in the scholarly literature of music history that the Messe de Nostre Dame of Guillaume de Machaut is unique. While several other examples of polyphonic settings of the Mass Ordinary dating from approximately the same era do survive, they are distinct from Machaut's Mass in at least two respects. The Messe de Nostre Dame is attributed to a single, named composer, whereas most fourteenth-century Mass cycles are anonymous, or are thought to have been assembled from the repertories of several composers, or both. Further, few contemporary medieval cycles are copied as such, preserving instead the traditional organization of the kyriale, in which several Kyrie movements are grouped in one section, followed by a group of Gloria...
While musical sources and documents from throughout the Middle Ages reveal that mode was an enduring...
Nowadays, key features of fourteenth-century isorhythmic motet composition, especially in France, ar...
Jean-Paul C. Montagnier Professeur de musicologie à l'Université de Lorraine This is the first ev...
The appearance of a consistent repertory of polyphonic settings of single vernacular texts, governed...
Despite frequent attempts to explain the emergence of a coherent type of polyphonic song in the earl...
Monophonic virelais constitute a significant proportion of Guillaume de Machaut's compositions in th...
The Mass of Tournai is largely considered the first complete polyphonic mass ordinary setting, thoug...
Guillaume de Machaut's motets constitute a cycle. This study focuses upon Machaut's six Latin texted...
Spanning a millennium of musical history, this monumental volume brings together nearly forty leadin...
Marc-Antoine Charpentier\u27s setting of the Messe pour Monsieur Mauroy is the only composition in h...
This study focuses primarily on nine polyphonic ars nova motets contained within the early fourteent...
This dissertation is a study of the musical variants in the six manuscripts transmitting the complet...
Machaut’s seventeenth motet might be one of his earliest works. Under its simple appearance it hides...
International audienceAmong the holdings of the Bibliothèque Nationale de France is an anonymous and...
At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean ...
While musical sources and documents from throughout the Middle Ages reveal that mode was an enduring...
Nowadays, key features of fourteenth-century isorhythmic motet composition, especially in France, ar...
Jean-Paul C. Montagnier Professeur de musicologie à l'Université de Lorraine This is the first ev...
The appearance of a consistent repertory of polyphonic settings of single vernacular texts, governed...
Despite frequent attempts to explain the emergence of a coherent type of polyphonic song in the earl...
Monophonic virelais constitute a significant proportion of Guillaume de Machaut's compositions in th...
The Mass of Tournai is largely considered the first complete polyphonic mass ordinary setting, thoug...
Guillaume de Machaut's motets constitute a cycle. This study focuses upon Machaut's six Latin texted...
Spanning a millennium of musical history, this monumental volume brings together nearly forty leadin...
Marc-Antoine Charpentier\u27s setting of the Messe pour Monsieur Mauroy is the only composition in h...
This study focuses primarily on nine polyphonic ars nova motets contained within the early fourteent...
This dissertation is a study of the musical variants in the six manuscripts transmitting the complet...
Machaut’s seventeenth motet might be one of his earliest works. Under its simple appearance it hides...
International audienceAmong the holdings of the Bibliothèque Nationale de France is an anonymous and...
At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean ...
While musical sources and documents from throughout the Middle Ages reveal that mode was an enduring...
Nowadays, key features of fourteenth-century isorhythmic motet composition, especially in France, ar...
Jean-Paul C. Montagnier Professeur de musicologie à l'Université de Lorraine This is the first ev...